amber heard and j*hnny d*pp’s JOINT statement literally says “neither party has made false accusations for financial gain.” that is their JOINT statement, amber heard decided to not go through with a domestic abuse trial because he admitted his guilt. no need for a trial if he admits it.
what kind of world do we live in where a man can admit that his ex-wife was not making any false accusations when she accused him of mistreating/physically abusing her BUT people still think she’s lying. she had the bruises on her face, the video that showed how angry he could get, and HE ADMITTED THAT SHE DIDN’T LIE…. WHAT MORE DO Y'ALL WANT? why do you want to prove this woman wrong so bad? what do you gain from being in this much denial?
My favorite thing right now is that everyone who doesn’t want Zendaya (a black girl) to be Mary Jane is sighting her hair as the problem because MJ is a redhead but like,
I didn’t
hear ya’ll
complaining
then,
so why
now?
To be fair, Emma Stone is naturally blonde and I think Gwyneth Paltrow and Kirsten Dunst are both natural redheads/have a strawberry blonde sort of hair colour.
But I get what you mean. The Black Widow example is great. And I’m sure none of the people complaining that Zendaya got cast as MJ, complained about Jennifer Lawrence playing Katniss, or half the cast of 21 being white instead of Asian, or Jake Gyllenhaal being the bloody Prince of Persia.
Woman speaks out against misogynistic abuse and is met with misogynistic abuse from men who believe misogynistic abuse doesn’t exist and that she should stop making them look bad.
Kenneth George “Kenny” Baker was an English actor and musician. He was well known for portraying the character R2-D2 in the popular science-fiction movie franchise Star Wars. He passed away today at the age of 83.
I wanted my first-year film students to understand what happens to a story when actual human beings inhabit your characters, and the way they can inspire storytelling. And I wanted to teach them how to look at headshots and what you might be able to tell from a headshot. So for the past few years I’ve done a small experiment with them.
Some troubling shit always occurs.
It works like this: I bring in my giant file of head shots, which include actors of all races, sizes, shapes, ages, and experience levels. Each student picks a head shot from the stack and gets a few minutes to sit with the person’s face and then make up a little story about them.
Namely, for white men, they have no trouble coming up with an entire history, job, role, genre, time, place, and costume. They will often identify him without prompting as “the main character.” The only exception? “He would play the gay guy.” For white women, they mostly do not come up with a job (even though it was specifically asked for), and they will identify her by her relationships. “She would play the mom/wife/love interest/best friend.” I’ve heard “She would play the slut” or “She would play the hot girl.” A lot more than once.
For nonwhite men, it can be equally depressing. “He’s in a buddy cop movie, but he’s not the main guy, he’s the partner.” “He’d play a terrorist.” “He’d play a drug dealer.” “A thug.” “A hustler.” “Homeless guy.” One Asian actor was promoted to “villain.”
For nonwhite women (grab onto something sturdy, like a big glass of strong liquor), sometimes they are “lucky” enough to be classified as the girlfriend/love interest/mom, but I have also heard things like “Well, she’d be in a romantic comedy, but as the friend, you know?” “Maid.” “Prostitute.” “Drug addict.”
I should point out that the responses are similar whether the group is all or mostly-white or extremely racially mixed, and all the groups I’ve tried this with have been about equally balanced between men and women, though individual responses vary. Women do a little better with women, and people of color do a little better with people of color, but female students sometimes forget to come up with a job for female actors and black male students sometimes tell the class that their black male actor wouldn’t be the main guy.
Once the students have made their pitches, we interrogate their opinions. “You seem really sure that he’s not the main character – why? What made you automatically say that?” “You said she was a mom. Was she born a mom, or did she maybe do something else with her life before her magic womb opened up and gave her an identity? Who is she as a person?” In the case of the “thug“, it turns out that the student was just reading off his film resume. This brilliant African American actor who regularly brings houses down doing Shakespeare on the stage and more than once made me weep at the beauty and subtlety of his performances, had a list of film credits that just said “Thug #4.” “Gang member.” “Muscle.” Because that’s the film work he can get. Because it puts food on his table.
So, the first time I did this exercise, I didn’t know that it would turn into a lesson on racism, sexism, and every other kind of -ism. I thought it was just about casting. But now I know that casting is never just about casting, and this day is a real teachable opportunity. Because if we do this right, we get to the really awkward silence, where the (now mortified) students try to sink into their chairs. Because, hey, most of them are proud Obama voters! They have been raised by feminist moms! They don’t want to be or see themselves as being racist or sexist. But their own racism and sexism is running amok in the room, and it’s awkward.
This for every time someone criticizes how characters of color and female characters of color especially are treated in text and by subsequent fandoms. It’s never “just a television/movie/book”. It’s never been ”just”.
“…and by subsequent fandoms.“ <— bless this addition.
This one is always worth reblogging. When I say, “Representation matters,” it’s not just the presence of PoC, women, PwD, LGBTQIA, in narrative, it’s the roles are those characters are occupying.
The hall of mirrors that is the interplay between fiction and real life becomes a negative feedback loop with real consequences, because we internalize things and then we act them out.
Storytelling is a powerful thing. What stories are we telling, and why?
Annalise:I'll get my ex-girlfriend to defend my ex-boyfriend who is accused of murdering my husband who was ACTUALLY murdered by my student who I continue to have an ambiguous and slightly inappropriate relationship with.
every single negative stereotype about women was dreamt up by men who were projecting. fight me about it.
“women can’t drive”
It is so well known that women are better and safer drivers than men that OUR CAR INSURANCE RATES ARE LOWER. Women get into fewer accidents, get fewer DUIs, and receive fewer speeding tickets than men.
“women never shut up”
Several scientific studies have shown that not only do men talk more than women, they also think that women have been talking for much longer than they actually have. Men interrupt and talk over women, dominate conversations, and still think women talk too much.
“women are shallow”
Lol next
“my wife is my ball and chain lmao”
Multiple studies have shown that marriage between men and women: Increases male lifespan, decreases female lifespan Decreases male depression rates, increases female depression rates Decreases male stress levels, increases female stress levels Increases male health and happiness, decreases female health and happiness Increases a man’s chance of getting a raise or promotion, decreases a woman’s chances of getting a raise or promotion
“women are too emotional”
Men love to say this about women after hurting them, in order to shift the blame and dismiss their feelings in one go. In reality, women are taught to hold our tongues and control ourselves quite literally from birth. We’re taught to put men’s needs and wants ahead of our own emotions regardless of the personal cost. Men are taught to do more or less whatever the fuck they want to women. Men take their emotions out on women while women are expected to shove theirs down.
I could go on and on but I don’t really think I need to.